Chris Chandler has performed on thousands of stages across the
US and Canada as well as for hundreds of organizations seeking social
justice.
The Chris Chandler Story
Few
musicians can claim "on-the roadisms" the
way Chris Chandler can. He is a true veteran of the road, traveling
across The United States of Generica for many years. His anthology
of road tales transforms into a flock of doves beneath the musical
high-wire act.
He
has worked with everyone from Allen Ginsberg to Ani DiFranco
and Pete Seeger to Mojo Nixon. Utah Phillips says, "Chris
Chandler is the best performance poet I have ever seen."
Originally
from Stone Mountain, Georgia the son of a Baptist minister, Chris
has been on or around the stage his whole life. As a teen-ager
he was in the bars and on the road working as a roadie for bands
like the Georgia Satellites. He graduated from the North Carolina
School of the Performing Arts in 1988. That summer - which was
supposed to be a "summer away from college" he
hit the road as a street performer to fund his way to audition
as a lighting designer in Theaters across America. He actually
landed a job on Broadway no-less but turned it down to become
a performer in his own right. He has been on the road ever since.
For
the first few years he was living in his car and stopping in
every town from Bangor to San Ysidro where he opened his guitar
case and waxed the manifesto electric sporting a sign that read "Stranded
Musician Needs Gas Out of Town." Eventually he hooked up with
a group of performers busking in Harvard Square where he joined
a commune of other traveling street musicians. These nomadic experiences
naturally fed him into the world of activism. Since then he has
performed at thousands of festivals, colleges, and bar rooms across
the US and Canada.
You can often find him at demonstrations and protests - large
and small, across the US and Canada. Recently, he was seen protesting
the FTAA in Miami, the G-8 in Calgary and the Iraq war (both of
them) in Washington, DC to name a few.
His experience as a street performer and rabble rouser shine through
every performance making him a welcome addition to festivals, carnivals,
hay rides and riots, or where ever the rabble need to be roused.
This
is not performance art - like the clichés
of Hollywood would imply. No one pours chocolate on the wings
of a sparrow. This is steeped in the centuries of tradition that
define theater. At one time in human history bards roamed outside
the castle wall carrying tales from village to village. Today,
gritty road warriors do the same - outside the castle walls of
corporate America. Between the frequencies of Clear Channel,
still exists the forgotten art form of storytelling.
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